Third single from the album ‘AURA’ by Bjm Mario Bajardi. A generative vortex, a moment of chaotic flows. Ancestral memories of planets scattered in time and light.
Category: onde
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PANTAGRUEL
The second single from Bjm Mario Bajardi’s album AURA. An excursion among giants, utopias, novels and dreamlike escapes.
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KUBRICK CUBE
Kubrick Cube is one of the compositions from Bjm Mario Bajardi’s new album ‘Aura’.
All the tracks, each different from the other, reflect the emotional diversity of human beings: each composition is a distinct aura, a unique vibration that speaks of joy, melancholy, impulses and expectations.
A constantly evolving mosaic of sound.
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TROPIC OF THE SIGN
Original Score of “Tropic of the Signs” Interactive Urban storytelling project, based on Augmented Reality (made by Komplex).
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COSMOS IN COSMOS
Fabio D’Onofrio is an Italian composer and multi-instrumentalist. He has composed music for films, short films, theater, commercials, and video games.
Cosmos in Cosmos is Fabio’s first EP after a long series of original soundtracks.
After a long research carried out on both synthesizers and acoustic instruments, Fabio developed an approach to electroacoustic music made of evolving timbres with symphonic echoes.
Cosmos in Cosmos follows the sign of this concept where ethereal textures and melodic arpeggios follow each other to tell a journey in orbit between lights and shadows, paths and routes as the beginning of an exploration of which the point of arrival is unknown.
The cosmos within the cosmos is nothing other than man, who is a product of the universe, of which he has the same essence and is subject to the same laws.
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LE VARIABILI DIPENDENTI
Original Motion Picture Soundtrack “Le Variabili Dipendenti” short
Directed by Lorenzo Tardella
“68th David di Donatello” 2023 Award.‘Le Varaibili Dipendenti’ – Original soundtrack composed by Fabio D’Onofrio
Winner of the 68th David di Donatello (2023) as best short film.
BFI London Film Festival – Official selection 2022
Berlinale – Internationale Filmfestspiele Berlin – 72nd Generation Kplus selection 2022‘The Dependent Variables’ had its world premiere in 2022 at the 72nd Berlin Film Festival in the Generation Kplus section and was then selected by over twenty national and international festivals -winning several awards including Best Film at Queer Lisboa 2022 in the ‘In My Shorts’ section.
Directed by Lorenzo TardellaProduced by: CSC National Film School
Distributed by: Première Film
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HERITAGE
Guests (in order of appearance)
Leila: voice on Highway samurai/Dusty tapes
Donato Nicolaci: guitar on Highway samurai/Dusty tapes/Morning guru
Maria Ingrosso: soprano on Héritage/Dusty tapes
Federico Leo: drums on Dusty tapes.Dedicated to my dad.
Written by Andrea Senatore: voice, synthesizers, piano, bass, percussions, field recordings.
Recorded by Andrea Senatore @ CynicLabo (Lecce, Italy)
Produced and mixed by Peppe Petrelli
Mastered by Gianluigi Gallo @ Soundwalk Studio (Lecce, Italy)
Click tap to download the soft for Commodore64 www.andreasenatore.com
Released & marketed by ONDE electronic contents (2020)
All tracks published by Iter-Research di Paolo Bigazzi (2020)THREE SINGLES WERE EXTRACTED FROM THE ALBUM



Special thanks to: Paolo Bigazzi Alderigi, Peppe Petrelli, Leila Bahlouri, Federico Leo, Donato Nicolaci, Matteo ‘zinzin’ Spano, Marta Zacchino, Silvano Senatore, Licia Ingrosso, Maria Ingrosso, Carlo Vitale, Marco Micella, Valerio Calsolaro, Eugenio Fioretto, Daniele Natale.

click tap to go to amazon Label assistant: Francesco Maria Falcone
Photo and graphics by Mariano Equizzi
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INVERSE
Mario Bajardi is a man of many musical talents. He is a violinist, film score composer and award winning music producer. Early in his career he was a finalist at the International Competition of Electronic’s Pierre Schaeffer Prize and ICMC – these awards are given to the artist who explore new horizons in music. His music and sound composition approach is constantly evolving as seen in the case of ‘Metamorph’ an electro-acoustic and designed sound library Mario coproduced for Twisted Tools. His ‘Inverse’ EP will be his second EP for ONDE following last year’s ‘Glass Orchestra’ EP and his debut album ‘Archives’ which was released in 2012.
‘Inverse’ opens with ‘Rest’ featuring vocalist Eleze who has previously released on Ministry of Sound and Ego. The intro is awash with ambient textures as a gentle piano and Eleze’s crystalline voice float on the surface of the background swells. The female vocals and ambient textures bring to mind Bonobo’s recent tracks with the vocalist Szjerdene.
The high comparison continues on the following track ‘Standing’ which was taken from a theatrical soundtrack, for ‘Riccardo III W. Shakespeare’ which was composed and produced by Mario in 2013. The pizzicato strings and long wavering notes rise and fall together before fading away into ‘Interlude’ which opens with a snippet of natural recordings.
Cinematic swelling strings then morph into electronic pulses and waves before the two intertwine.
Drawing from a wide range of influences gives Mario a broad palette of inspiration to draw from. He lists some of his own influences as composers like Bach, bands like The Cure and fellow film scorers such as Hans Zimmer. His cinematic approach can be found on ‘Crusty’ which opens with what sounds like a field recording of faint sounds of the city. It then builds and swells with the same emotion found on Jon Hopkins’ Mercury Music Prize nominated album ‘Immunity’. ‘Crusty’ then progresses into an industrial style breakdown before bursting back into the light and back to life with Mario’s signature strings.
‘Inverse’ features glitchy electronic pulses with an array of buzzing sounds flitting around the track – sinister low synth rumble before being joined by a burst of background strings which break through the futuristic white noise. ‘Inverse’s chaotic use of electronic sounds is reminiscent of Luke Abbott’s recent releases on the Border Community label. ‘Missing’ then closes the EP with plucked strings and fast strokes of the violin’s bow creating a tension building that creates an evocative and cinematic final track.
Sound artist and producer, Carlo Ascrizzi, creates a slow burning remix of ‘Crusty’ which introduces dark skittering drums and glitches, deconstructing and stripping away the brightest elements; switching the mood of the track from midday to midnight. His interpretation gives us intricate and complex sound textures, reminiscent to his sonic works
Mario’s sheer talent shines through in his music which balances elegant electronics with evocative natural instrumentation. His experience of composing for film gives his music a cinematic feel with textures overlapping and sounds floating in from all angles. His years of hard work have led to this expertly realised body of work. BJM Mario Bajardi’s ‘Inverse’ EP is one of this year’s most accomplished and impressive collections of music.
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KOMPLEX,28
This is the first transmedia project under ONDE: http://www.komplex.city/
Honorary mention at Filmteractive 2014.
Komplex, 28 is an interactive “site specifc” urban storytelling re-thinking Augmented Reality. 28 leans on a reflection and a years-long practice of a close-knit crew composed by Mariano Equizzi (writer, director), Paolo Bigazzi Alderigi (Music, sound design and production), Luca Liggio (production and editing).
“28” is a cross-genre downtempo track.The electroacoustic piano theme is driven by an old-school groove melted with electronic elements and reverse pads conducing in a fog, noir landscape. “Plotkin” is an hypnotic series of loops and noise layers who compose an amorphous disturbing melody, followed by “Dottor Benway” who explore the sense of disorder by the groove
and guitar samples weaving, with an analog bass sustain. “AirPod” realize Komplex funk propensity who pinch Kraftwerk like metronomic groove. “Man Camera” is an Idm/funk industrial way to explore techno groove diving into a dark atmosphere. He’s behind the lens.“Schnabel” is an old school hip-hop groove-style walking with a series of reverse textures and an hopeful distorted rhodes melodies in a giant reverberant metallic condominuim. “Phobosgrad” is an orchestration of several layers of arpegiated synth lines, and obscure enharmonic elements conducting to an hopful ending melodies. Empowaring Audience, Warping City, that’s Komplex commitment.
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