Author: IterAdmin
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AURA
AURA is a musical project born from the exploration of sound vibration as a living and energetic form. Each song is a journey into cymatics, where sound takes shape, becomes visible, almost tangible, and connects with our deepest emotions.
Music becomes a vehicle for empathy, transformation and healing. The human body, immersed in these frequencies, perceives them and benefits from them, as if each note acted on subtle, emotional and physical levels.
The songs, all different from each other, reflect the emotional multiplicity of the human being: each composition is a distinct “aura”, a unique vibration that speaks of joy, melancholy, impulses and expectations.
A constantly changing sound mosaic, just like us.
Feauturing: Marco Del Bene, Elez, Monia Steri, Giuseppe Urso, Melo Panettieri
Master audio: Vincenzo De LuciaDEDICATED SYNC NOTE
A sync note for Initial Breath >>OTHER MUSIC DIRECTIONS>>

ANDREA SENATORE -
NEUR –
Fourth single from the album AURA by Bjm Mario Bajardi. A line of thought and a connection between man and nature.
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IN SILENCE
Scritto, prodotto e registrato a Palermo da BJM Mario Bajardi, con la co-produzione di Francesco Barraco, ‘In Silence’ è un disco introspettivo ed intimista. Concettualmente, i brani si snodano nella ricerca di punti di osservazione equidistanti, in grado di superare ogni prospettiva etnocentrica, una ricerca della bellezza al di sopra della consapevolezza, un percorso meditativo che si snoda tra linee avanguardistiche di violino – a tratti ipnotiche, a tratti cariche di pathos – accenni di prog-rock, archi languidi ed accordi di piano dalla forte tensione emotiva e visionarie linee elettroniche.
In Silence’ è inoltre arricchito da una bonus track, una suite demo rimasta alle prime stesure e che nasce da un lavoro di ‘taglia e cuci’ su vecchi frammenti dell’archivio di Bajardi, musicalmente più leggera ma dalla forte tensione emotiva.
SYNC NOTE FOR THE TRACK ALEARE Tracklist
1) ARK (Prologue)
2) IMP (Breath of Life)
3) Magma (FLOW)
4) Iridescence
5) Harlequin
6) Aleare
7) God is Burning
8) Ringing
9) Lie in the Sky (Epilogue)
10) What Colour is God (FLOW Suite)
i A perfect Morning
ii Pride
iii Sirens
iv Iconography
v Aleare (An Evening Prayer)
Tracklist
1) ARK (Prologue)
2) IMP (Breath of Life)
3) Magma (FLOW)
4) Iridescence
5) Harlequin
6) Aleare
7) God is Burning
8) Ringing
9) Lie in the Sky (Epilogue)
10) What Colour is God (FLOW Suite)
i A perfect Morning
ii Pride
iii Sirens
iv Iconography
v Aleare (An Evening Prayer)
vi The Demon Strikes
vii The Choice
viii In Trance
ix The Darkest Hour
x The Promise (Virgins’ Land)
xi Dust
Written & produced by Bjm Mario Bajardi
Photo Album Alex Sanfj
Graphic Florinda Cerrito
Co-produced by Francesco Barraco
Mastered at Iter-Studio
Anno:2020
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SCHENGHEN
Le composizioni si sviluppano grazie a giustapposizioni elettroniche ottenute con processing di suoni campionati dal suo violino e altre fonti concrete (vedi l’opener Diva), con l’ausilio di sporadiche partiture per piano à la Eno (Schengen Memories), con l’utilizzo di un coro che si riallaccia alla musica medioevale (la trilogia Officium) o anche grazie ad un vocoder che ricorda la produzione più meditabonda degli AIR (NOVA, la traccia più electro del lotto).
A proposito di Brian Eno, Schengen richiama in più punti il suo ultimo lavoro (The ship) sia per un concept che si interfaccia naturalmente con l’acqua e il rapporto che da sempre l’uomo ha con essa, sia per il portato generale di opera che conserva alcuni gradi di mistero, slegata com’è da una qualsivoglia analisi documentaristica o cronologica. È un modo indiretto, in una parola ambientale, per suonare musica che esprima l’umore del proprio tempo senza doverne raccontare fatti o persone.
Disco affatto difficile all’ascolto e per sviluppo delle trame, questo di Bajardi, eppure un lavoro che siamo invitati ad ascoltare più volte per poterne apprezzare le sfumature o, semplicemente, valorizzarne alcuni momenti, come ad esempio la take più electro del lotto, Opulence. (fonte Sentire Ascoltare 2016. http://sentireascoltare.com/recensioni/bjm-mario-bajardi-schengen/)La musica di BJM, si compone di un ricco sound design e di elettronica più classicheggiante, rimandi alla contemporanea, echi psichedelici e ambient.
Bajardi si serve dell’esperienza con la software house americana 8Dio ed in precedenza per Twisted Tools per arricchire la palette di suoni processati che risulta preziosissima nel conferire alle tracce un carattere fortemente identitario.
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SYNC NOTE BY FABIO D’ONOFRIO “BREATHING GLOW” -

TALE FROM A PSYCHOTRONIC OCEAN
Original Score of Interactive Urban storytelling projects, based on Augmented Reality (made by Komplex).
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PSYCHOTRONS
BY PAOLO BIGAZZI ALDERIGI
OST of the videogame “The amazing universe of the Psychotrons!”
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PER ASPERA AD ASTRA
Per Aspera ad Astra, translated “through the roughness, to the stars,” is an EP developed based on imagery, suggestions and space missions past and present.
The result is an evolutionary soundscape, divided into chapters, simulating the synchronization to a hypothetical audiovisual on the subject.
This is a significant breakthrough for my creative approach, hitherto rather tied to traditional forms of sonification.My goal was to give voice to the spaces that my mind created, without following stylistic form or production processes canonical.
There was a need to move away from known territory and push into unexplored techniques, and the discovery of novelty was a constant stimulus to delve deeper.
Much material was obtained extemporaneously with respect to the moment of production on the computer, this allowed me to often break away from a metrical “song” and rather have rhythmic or percussive elementsth at followed what came about naturally rather than the other way around as in High Orbit.
There was no shortage of more traditional elements such as the lead line in RUD, while without letting it get stuck on classical forms, or acoustic interventions not as heavily processed as the woods in Zero G.
The approach to the spatial theme was inclusive of the wonders derived from the imaginary, as it was for more evocative openings as in High Orbit and Zero G, but also of incidents using onorities placed in less decipherable such as a deconstructed brass section in Fuel Leakage.
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ABOUT
Founded in 2011, after over 20’yearsexperiencesin the production and post production music and indie cinema business.
Iter-Research has entered into exclusive worldwide administration and publishing agreement with highly creative roster of artists, composers, sound designers, coders, connected with music and transmedia content production.
Based on a studio network, Iter-Research clients are directors, documentarist, producer of movies, advertising agencies, creatives, videogame developers and publishers, multimedia publishers, software house, museums, transmedia content producers.
It works on creative and executive aspects of interactive and immersive experience like AR/VR/XR, focusing on synch/be spoke rights negotiation at an international level, sound and music composition, production and implementation.
Iter-Research now manages exclusively a very diversified music catalogue including Techno, Electroacoustic, Electronic genre, and a national and international label roster.It offers consulence on copyright and music creation and supervision for all media content. It has an international sub-publishing network worldwide.
Catalog/Roster&Company relationships are: Furtherset, Ninos Du Brasil, Mario Bajardi ,Inude, Jolly Mare, Da Lukas, Grand River, Komplex, Tone Float, YWD, Loris Venegoni, Leonardo Falasco, Andrea Senatore, Tone Float, Alessio Nanni, Real Dreams Entertainment, Fondazione Teatro Massimo, LEB Film, GravitéRecords, Out-Er Records, Pregnant Void, Inkblots Records, OmniaPictures, Twisted Tools, WWEG, RadioRos Brera, Delights Entertainment, and more.
Iter-Research is member of:
Association for Electronic Music (AFEM)
Italian Interactive Digital Entertainment Association (IIDEA)
Music Publishing association (EMUSA)
Creatori ed editori digitali (ANICA)


